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The Brian Jonestown Massacre - Tepid Peppermint Wonderland: A Retrospective (Volume Two) (2xLP, Comp, RE) Mint (M) / Mint (M)

The Brian Jonestown Massacre - Tepid Peppermint Wonderland: A Retrospective (Volume Two) (2xLP, Comp, RE) Mint (M) / Mint (M)

A Records (4)

Images are Stock/Discogs, not the actual item for sale. Please refer to our detailed description & grading for the condition of the record.

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Summary: Vinyl, LP, Compilation2, Tepid Peppermint Wonderland: A Retrospective (Volume Two), Brian Jonestown Massacre, The, 2014, UK

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    UK  
Genre:       Rock
Style:         Shoegaze, Psychedelic Rock, Folk Rock, Indie Rock

New & Sealed.




A1. Nailing Honey To The Bee
A2. That Girl Suicide
A3. Nevertheless
A4. Evergreen
A5. Starcleaner
A6. Let Me Stand Next To Your Flower - Live
B1. Hide & Seek - Live
B2. In My Life
B3. Mary Please
B4. Talk-Action=Shit
B5. Oh Lord
B6. This Is Why You Love Me
C1. Not If You Were The Last Dandy On Earth
C2. Swallowtail - Live
C3. Feel So Good
C4. Fucker
C5. #1 Hit Jam
D1. Ballad For Jim Jones
D2. Free & Easy Take 2
D3. Stolen
D4. Mansion In The Sky
D5. Sue


Barcode and Other Identifiers:

Barcode 5 055869 507363
Matrix / Runout BE75517-01 A1 VV [signature] 2014
Matrix / Runout BE75517-01 B2 =s FINYLTWEK
Matrix / Runout BE75517-02 C2 3+
Matrix / Runout BE75517-02 D1 [signature] 2014 J+


Phonographic Copyright (p) A Recordings LTD.
Copyright (c) A Recordings LTD.
Published By Tepid Peppermint Wonderland

Data provided by Discogs



This comes for the first time on 180-gram vinyl in a gatefold sleeve. Re-mastered for vinyl, this 22-track compilation spans the years 1995 – 2004, featuring key tracks from all their albums as well and live recordings and many unreleased tracks. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

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