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Bob Dylan - Bringing It All Back Home (LP, Album, Mono, RE, 180) Mint (M) / Mint (M)

Bob Dylan - Bringing It All Back Home (LP, Album, Mono, RE, 180) Mint (M) / Mint (M)

Columbia,Legacy,Sony Music,Legacy Vinyl

Images are Stock/Discogs, not the actual item for sale. Please refer to our detailed description & grading for the condition of the record.

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Summary: Vinyl, LP1, Bringing It All Back Home, Bob Dylan, 2015, Europe

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    Europe  
Released:  
2015-11-27
Genre:       Rock, Folk World & Country
Style:         Folk Rock, Folk

Comments:
New & Sealed.
 

Notes:

Re-issue with Legacy Vinyl 180 Gram sticker on the front. Originally released 1965. © 1965, 2015 Columbia Records. Made in the EU. Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, Germany. © 1965 by Bob Dylan.

 

A1. Subterranean Homesick Blues 2:17
A2. She Belongs To Me 2:48
A3. Maggie's Farm 3:51
A4. Love Minus Zero / No Limit 2:47
A5. Outlaw Blues 3:00
A6. On The Road Again 2:30
A7. Bob Dylan's 115th Dream 6:29
B1. Mr. Tambourine Man 5:25
B2. Gates Of Eden 5:42
B3. It's Alright, Ma (I'm Only Bleeding) 7:30
B4. It's All Over Now, Baby Blue 4:13

 

Barcode and Other Identifiers:

Barcode 8 88751 46231 1
Barcode 0888751462311
Rights Society BIEM / GEMA
Label Code LC 00162
Matrix / Runout XLP 79421
Matrix / Runout XLP 79422
Matrix / Runout 88697761051-LP5-A RKS
Matrix / Runout 88016 1A MOVLP243 STERLING
Matrix / Runout 88697761051-LP5-B RKS
Matrix / Runout 88016 1B MOVLP243 STERLING STERLING

 

Distributed By Sony Music Entertainment
Copyright (c) Columbia Records
Pressed By Record Industry
Published By M. Witmark & Sons
Mastered At Sterling Sound
Copyright (c) Bob Dylan

Data provided by Discogs

 

CL 2328

'Bringing It All Back Home' is the fifth studio album by American singer-songwriter Bob Dylan.

The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band — a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as ‘Blowin' in the Wind’ and ‘A Hard Rain's a-Gonna Fall’), as his lyrics continued their trend towards the abstract and personal.


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